Leo review: Thalapathy Vijay is likeable in this Lokesh

Vijay’s portrayal, there’s a captivating blend of humility and intimidation within the Lokesh Cinematic Universe film, a departure from the finesse and brisk pacing of Vikram. In a particular scene from Lokesh Kanagaraj’s “Leo,” the protagonist confronts unwelcome visitors at his café. He initially attempts a peaceful resolution, offering money and polite requests, but when provoked, he erupts with striking and precise violence. The punches connect with their targets as onlookers watch in astonishment and horror. It’s a sequence that seemingly comes out of nowhere, yet the impending ultra-violence is perceptible. After a moment to catch his breath, Parthi (Vijay) drops to his knees and weeps uncontrollably. This impeccably choreographed action sequence signifies a pivotal shift in the narrative. From this point on, the film becomes a relentless onslaught of action and intensity. This scene underscores Kanagaraj’s ability to seamlessly blend flawless action sequences with Anirudh’s music and a star’s charisma as the fiery catalyst. Unfortunately, it also exposes the rest of the film as disappointingly monotonous.

Thalapathy Vijay takes on the role of Parthi, the soft-spoken and kind-hearted café owner in Theog, Himachal Pradesh. Although the film is clearly set in the snowy landscape of Kashmir, it makes little effort to incorporate local culture into its storyline. Parthi is the devoted father of a teenage son, a younger daughter, and the loving husband of Sathya (Trisha Krishnan). Our bearded and aging yet quietly powerful protagonist has a somewhat enigmatic past, one that resurfaces in a brilliantly violent manner as he decapitates local gangsters while defending his family. As news of his reluctant heroism spreads, mobsters from distant lands converge on the small town, claiming that he is actually Leo Das, the rambunctious son of drug lord Antony Das (Sanjay Dutt) and the nephew of the menacing Harold Das, portrayed by Arjun Sarja.

Drawing inspiration from David Cronenberg’s masterful “A History of Violence” (acknowledged in the credits), Vijay is perfectly cast as Parthi. He maintains a stoic demeanor that allows the story to unfold around him, skillfully balancing the duality of his violent past and the looming sense of impending danger. At various points in the film, it seamlessly integrates musical numbers from the director’s previous works and pays homage to the interconnected cinematic universe he has been building since the success of his previous film, “Vikram” (2022). However, the screenplay encounters hiccups, particularly in an introductory sequence where Parthi confronts a wild hyena, with authorities as witnesses, only to return to his modest café. While this sequence exudes flair, it results in a narrative inconsistency, requiring the protagonist to seamlessly transition between the roles of a recluse and a hidden predator. When this tonal shift occurs, it feels more predictable than gripping, failing to sustain the edge-of-the-seat excitement.